Posted by Susan Benford
Like all female artists working during the Renaissance, Artemisia Gentileschi (1593 - c. 1652) was forbidden to draw from the live (naked) male model. Commissions for European paintings from the Church and nobility were expected to incorporate characteristics like naturalism, tenebrism (the creation of forms by focusing a strong light source into a dark background) and drama enacted by men. Female artists typically specialized - of necessity, rather than choice - in the less prestigious and lucrative genres of still-life and portraiture. This partially explains why so many European paintings, from Gentileschi's day (and for the next 200 years), were painted by men.
No such gender restrictions restrained Artemisia Gentileschi, though. Her father was the famous painter Orazio Gentileschi, perhaps most memorable for his artwork in the Palazzo Rospigliosi-Pallavicini, the Borghese palace in Rome which also houses Guido Reni's breath-taking fresco, Aurora. Artemisia painted mythological and Biblical themes like her male peers, but she opted instead for women who were heroic, powerful or abused, such as Bathsheba, Susanna, Cleopatra, Judith, and Esther.
This choice of subject matter not only allowed her to use the live (naked) female form (her own niche market) but also recalled a tragedy. Orazio had hired the Italian painter, Agostino Tassi, to teach drawing to Artemisia; she subsequently claimed that he raped and sexually intimidated her. In the ensuing seven month court trial in 1621, she - as a teenager - was tortured with thumb screws to ascertain the truth of her claims; she was further subjected to relentless public humiliation from both the Roman judicial system and the public. Although Tassi was ultimately convicted (he also stood accused of raping his sister-in-law and one of his wives), Artemisia's honor and reputation were irreparably harmed.
Artemisia Gentileschi. Judith Beheading Holofernes, c. 1620. Oil on canvas, 78" x 64". Uffizi, Florence. Orazio arranged a marriage of convenience to a Florentine painter, Pierantonio Stiattesi. Although the marriage was loveless and lasted until he abandoned her ten years later, it relocated Artemisia to Florence, and created a socially acceptable framework in which she could paint. And paint she did, in addition to mothering four children. Although illiterate, she flourished and became socially intimate with (and was unabashedly admired by) Galileo; had patrons including the renowned Italian scholar, Cassiano del Pozzo, and Cosimo II de'Medici and his sons; and became in 1616 the first female painter in the Accademia del Disegno, or Academy of Design. Another female painter attaining a "first"!
One of Artemisia Gentileschi's most famous paintings is Judith Beheading Holofernes (above) which illustrates an event from the Old Testament Book of Judith. As the Assyrian general, Holofernes, prepared to destroy the land of Judah, Judith went with her maidservant, Abra, to Holofernes' camp. Posing as a deserter from the Hebrews, Judith seduced him with her beauty, plied him with alcohol, and severed his head. After it was displayed from the city walls, the Assyrians disperse. Quickly, legend has it!
Coming next... The Caravaggio painting of
Judith Beheading Holofernes, with which Artemisia sought comparison.
Posted by Susan Benford
With 2300 famous paintings in its collection of European paintings, the National Gallery can be overwhelming. In fact, most art museums are -- which is when (and where) Masterpiece Cards' research is indispensable.
We surveyed nearly two dozen art history books to learn which famous paintings were discussed most frequently when art history pros assessed famous painters and art movements. These famous paintings, shown in bold-face, are included in 250 Masterpieces in Western Painting, a boxed set of art history cards examining Renaissance paintings through Pop works of art. The other paintings below are "runner-ups", according to art history pros. If you're lucky enough to be visiting London, this National Gallery itinerary will amaze and amuse. Have fun!
Bellini, Giovanni. Doge Leonardo Loredon. Oil on wood, 1501
Botticelli, Sandro. Mystical Nativity. Oil on canvas, 1500 or 1501
Bronzino, Agnolo. An Allegory (Venus, Cupid, Folly and Time). Oil on wood, before 1545
Canaletto. Venice: The Basin of San Marco on Ascension Day. Oil on canvas, c. 1735 - 1741
Caravaggio, Michelangelo Merisi da. The Supper at Emmaus. Oil on canvas, 1601. Read about other famous paintings by Caravaggio.
Constable, John. The Hay Wain. Oil on canvas, 1821
della Francesca, Piero. The Baptism of Christ. Tempera on wood, c. 1440 - 1450
Gainsborough, Thomas. Mr. and Mrs. Andrews. Oil on canvas, c. 1748 - 1749
Hogarth, William. Marriage a la Mode: The Tete a Tete. Oil on canvas, c. 1743. Read about this art painting here. 
William Hogarth. Oil on canvas, ca. 1743. 28" x 36". National Gallery, London.
Holbein the Younger, Hans. Erasmus of Rotterdam oil on panel, c. 1523
Holbein the Younger, Hans. Jean de Dinteville and Georges de Selve (The Ambassadors). Oil on oak panel, 1533. Read about other famous paintings by Holbein.
Hooch, Pieter de. The Courtyard of a House in Delft. Oil on canvas, 1658
Kalf, Willem. Still Life with Lobster, Drinking Horn and Glasses. Oil on canvas, 1653. Read about this famous painting by Willem Kalf.
Lorrain, Claude. Embarkation of the Queen of Sheba. Oil on canvas, 1648
Michelangelo, The Entombment. C. 1500-1501. Explore famous paintings by Michelangelo- there are four!
Morisot, Berthe. Summer's Day. Oil on canvas,1879
Poussin, Nicolas. The Abduction of the Sabine Women. Oil on canvas, c. 1633 - 1634. Learn about other famous paintings by Poussin.
Rauschenberg, Robert. Bed. Oil and pencil on pillow, quilt and sheet on wooden supports,1955
Rubens, Peter Paul. Portrait of Suzanne Fourment (Le Chapeau de paille). Oil on wood, 1625
Rubens, Peter Paul. The Judgement of Paris. Oil on panel, 1632 - 1635. Love this famous painter? Explore more famous paintings by Rubens.
Ruisdael, Jacob van. Two Watermills and an open Sluice near Singraven. Oil on canvas, c. 1650 - 1652
Seurat, Georges. Bathers at Asnieres. Oil on canvas, c. 1883 - 1884
Titian. Bacchus and Ariadne. Oil on canvas, 1520-1530. Read about some world famous paintings by Titian. 
Titian, Bacchus and Ariadne. Oil on canvas, c. 1522-23. 5' 9" x 6' 3". National Gallery, London Turner, Joseph Mallord William. The "Fighting Temeraire" Tugged to her Last Berth to be Broken Up. Oil on canvas, 1838
Uccello, Paolo. The Battle of San Romano(left panel of a triptych). Tempera on panel, c. 1445. Read an art analysis of this famous painting, a favorite at Masterpiece Cards. The Battle of San Romano, and see images of this famous painting.
van Dyck, Sir Anthony. Equestrian Portrait of Charles I. Oil on canvas, c. 1636
van Eyck, Jan. Man in a Red Turban (Self-Portrait?). Tempera and wood on panel, 1433. Below. Read about some of van Eyck's other famous artwork, The Adoration of the Lamb, the Ghent Altarpiece, and The Arnolfini Portrait.
Jan van Eyck. Tempera and oil on wood, 1433. 13 1/8" x 10 1/8". National Gallery, London.
van Eyck, Jan. Arnolfini Portrait. Oil on oak, 1434. Read about this famous painting by van Eyck.
Velazquez, Diego. Venus with a Mirror (The Rokeby Venus). Oil on canvas, 1644 - 1648.
Wright (of Derby), Joseph. An Experiment on a Bird in the Air Pump, Oil on canvas, 1768.
CURIOUS about the art history behind these famous paintings? Get Masterpiece Cards, portable art history cards that reproduce and explain historically influential paintings.