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Famous Painters Blogroll

Anguissola, Three Sisters Playing Chess and Phillip II of Spain

Beckmann, Departure; Self-Portrait in Tuxedo; Sinking of Titanic

Bingham, Fur Traders Descending the Missouri

BonheurPlowing in the Nivernais

Bonheur, The Horse Fair

Book of Kells

Bosch, Garden of Earthly Delights

Botticelli Primavera

Caravaggio, Fashion and Art History

CaravaggioConversion of St. Paul

Caravaggio, Young, Sick Bacchus and Basket of Fruit

Caravaggio, Cardsharps and Fortune Teller

Caravaggio, St. Francis of Assisi in Ecstasy

Caravaggio, Taking of Christ (Kiss of Judas)

Caravaggio Paintings at the Villa Borghese

Cave Paintings

Cezanne, Bathers

Cezanne, Card Players

Cezanne, Most Famous Paintings 

Copley, Paul Revere

David, Death of Marat 

David, Death of Socrates

David, Napoleon Crossing the Alps

de Kooning, Retrospective at MoMA (Part I)

de Kooning,Excavation and Painting, 1948 

de KooningWoman I

Delacroix, Liberty Leading the People  

Diebenkorn, The Ocean Park Series

Duccio, Maesta

Duncanson, Robert Seldon.  Art History Welcomes Duncanson 

Durer, The Four Apostles

Dutch Painters at the Frick Collection, 2013-2014 Show

El Greco, Burial of Count Orgaz

FontanaPortrait of a Noblewoman

Frankenthaler, Color Field Painting and Mountains and Sea

Gainsborough, The Blue Boy

Gentileschi, Artemisia.  Judith Beheading Holofernes

Gentileschi, Artemisia.  Self-Portrait as an Allegory of Painting 

Ghent Altarpiece.  

Ghent Altarpiece via zoom

GiorgioneThree Philosophers 

Goya, Family of Charles IV

Goya, The Third of May 1808 

Goya, Duchess of Alba; Saturn Devouring his Son; Two Old Men; Half-Submerged Dog; Black Paintings

Grunewald, Isenheim Altarpiece

Hals, Banquet of the Officers of the St. George Civic Guard

Hals, The Laughing Cavalier

Hals, Regents of St. Elizabeth's Hospital

Hopper, Nighthawks

Ingres, Grande Odalisque and Portrait of Madame Moissetier

Isenheim Altarpiece

Kahlo, Renowned Frida Kahlo Paintings.  

Angelica Kauffmann.  Self-Portrait Torn Between Music and Painting and David Garrick.  

Klimt, The Kiss and Adele Bloch-Bauer

Leonardo, Painter at the Court of Milan, National Gallery, London 

Leonardo, La Bella Principessa 

Leonardo, New Mona Lisa

Leonardo, Benois Madonna and Madonna Litta 

Leonardo, Savior of the World(Salvator Mundi) 

Leonardo, The Virgin and Child with St. Anne

Leyster, Famous Female Painters 

ManetA Bar at the Folies-Bergere

Manet, Luncheon in the Studio

Manet, The Old Musician

Manet, Street Singer

MantegnaDead Christ

Matisse Paintings, In Search of True Painting

Matisse, The DanceThe Music

Matisse, The Cone Collection

Matisse, The Red Studio

Matisse, The Yellow Dress

Michelangelo, Crucifixion with the Madonna

Michelangelo, Famous Paintings

Michelangelo, La Pieta with Two Angels (latest attribution?)

Michelangelo, St. John the Baptist Bearing Witness

Modersohn-Becker, Famous Female Painters

Monet, Waterlilies

Morisot, Famous Paintings

MorisotMore Famous Paintings

Munch, The Scream

O'Keeffe, Jack in the Pulpit

Picasso, Girl Before a Mirror

Picasso, Nude, Green Leaves and Bust

Picasso, Portrait of Gertrude Stein

Picasso, Las Meninas

Piero della Francesca, The Baptism of Christ

Horace Pippin.  Life and Work

Poussin, Assumption of the Virgin

Raphael, Sistine Madonna

Rembrandt, Aristotle with a Bust of Homer 

Rembrandt, Night Watch

Rembrandt paintings at Frick Show

Rembrandt, Self-Portrait at an Early AgeJeremiah Lamenting the Destruction of Jerusalem, The Jewish Bride

Rembrandt, The Syndics of the Amsterdam Drapers' Guild

Rubens, Venus and Adonis

Sanchez Cotan, Spanish Still-life

Sargent, El Jaleo

Sargent, Madame X

Sargent, Smoke of Ambergris

Steen, The Christening Feast 

Steen paintings at Frick Show

Tanner, The Banjo Lesson and The Thankful Poor

Titian, Assumption of the Virgin

Titian, Bacchus and Ariadne

Titian, Man with a Glove

Titian, Nymph and Shepherd, Allegory of Prudence, Jacopa Strada, St. Jerome, Slaying of Marysas

Titian, Rape of Europa

Turner, J. M. W, The Fighting Temeraire

Uccello, Battle of San Romano

van der Weyden, St. Luke Drawing the Virgin

van Eyck, Arnolfini Portrait

van Eyck, Adoration of the Lamb

van Eyck, Ghent Altarpiece

van Gogh, Patience Escalier

van Gogh, The Potato Eaters

van GoghMemory of Garden at Etten; Tatched Cottages; White House

van Gogh,  Portrait of Madam Trabuc; Morning: Going Out

van Gogh, Starry Night

Vincent van Gogh paintings up to 1889

Vincent van Gogh paintings, 1888-1890

Overview of works and life of Diego Velazquez 

Velazquez, Pope Innocent X

Velazquez, Juan de Pareja

Vermeer, Girl with a Pearl Earring

Vermeer, Saint Praxedis

Vermeer, The Kitchen Maid

Vermeer, The Allegory of Painting

VermeerGirl with the Red Hat

Warhol, Campbell's Soup Cans

Warhol, Marilyn Diptych and Gold Marilyn 

Warhol, Mao 

Anders Zorn

Famous Paintings by Art Museums - ebooks

Learn about famous paintings to see in these art museums:

Albright-Knox Art Gallery (Buffalo, NY). One of those intimate, small art museums with a stellar collectionFamous Paintings at Albright-Knox. 

Art Institute of Chicago: Plan to see these famous paintings at the Art Institute -- and download an ebook about them.

Louvre Museum, (Paris): one of the largest art museums in the world! Know which Louvre paintings not to miss in this sortable ebook. 

Mauritshuis Museum: explore works by renowned Dutch painters

Metropolitan Museum of Art (New York City): download the ebook, Famous-Paintings-Metropolitan-Museum, to learn its must-see masterpieces.

National Gallery (London): with 2300 famous paintings alone in its European painting section, discover highlights to see!  Art Paintings to See at the National Gallery.

Rijksmuseum (Amsterdam): 10 famous paintings not to miss

Washington, D.C. Art Museums: Explore forty famous paintings in Washington, DC in this article.

Most Popular Posts

Michelangelo PaintingsThe Torment of Saint Anthony; The Manchester Madonna;Holy Family (Doni Tondo); and Entombment

Cave Paintings: explore this prehistoric art in Spain and France.

Picasso's Las Meninas: 58 Picasso paintings inspired by Velazquez's Las Meninas

Ghent Altarpiece: the van Eyck masterpiece, one of the most famous artworks ever made. 

Survey of Renaissance Paintings: want to know what Renaissance paintings were all about? Start with 20 of its most famous painters in this sweeping survey! 

Discover more of readers' favorite art history blog posts. 

Female Artists

While we long for the time when artists are artists and genderless, that time isn't yet here.

These are a few of the female artists who've left lasting legacies in the history of painting:

Sofonisba AnguissolaThree Sisters Playing ChessPhillip II of Spain

Rosa Bonheur.  Plowing in the Nivernais.  Horse Fair.

Lavinia Fontana. Portrait of a Noblewoman.

Helen Frankenthaler. Color Field Painting and Mountains and Sea. 

Artemisia Gentileschi.  Judith Beheading Holofernes.  Self-Portrait as an Allegory of Painting.

Frida Kahlo.  Frida and Diego Rivera.  The Two Fridas.  The Love Embrace of the Universe. 

Angelica Kauffmann.  Self-Portrait Torn Between Music and Painting.  David Garrick.

Judith Leyster.  Self-Portrait.  The Proposition. 

Paula Modersohn-Becker. Self-Portrait with an Amber Necklace. Still Life with Goldfish. 

Berthe Morisot.  Refuge in Normandy.  The Cradle. 

Georgia O'Keeffe. Jack in the Pulpit Series. 

Survey of Female Artists

Art History Other

Art History Blogs

ArtDaily: daily breaking news about art museums and art history.

Art Blog by Bob: this brilliant art history blogger of Picture This on Big Think.

Art History Resources. Unwieldly but informative.

Marisol Roman.  A Spanish art history blog.

Mother of all Art & Art History Links: extensive list of online art history resources (including images, research resources, and art history depts.)

smARThistory. Think online art history textbook.  Brilliant. 

Art History Beyond Europe

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Famous Paintings Reviewed

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More Famous Paintings by Michelangelo?


An art history blog post from Famous Paintings Reviewed.

Could a famous painting by Michelangelo hang unattributed at the Metropolitan?

With Renaissance art over four centuries old, one might think all Michelangelo paintings were known and attributed.  Wrong! 

Everett Fahy, the recently retired Chair of the European Paintings department of the Metropolitan,  michelangelo st. john baptist

St. John the Baptist Bearing Witness, ca. 1506-07.  Oil and gold on wood, 29 3/4" x 82 1/2".  Metropolitan Museum of Art.

asserts that a painting presently attributed to the workshop of Francesco Granacci (1469/70 - 1543) is actually a Michelangelo painting.  As Fahy notes,

"Michelangelo, like van Gogh, attracts a lot of crazy ideas, and people are going to say this is another absurd idea.  I'm expecting that they're going to throw brickbats."

Fahy, a pre-eminent, internationally-known scholar of Renaissance art, introduces his thesis in ARTnews.  This previews his forthcoming, 65-page article, "An Overlooked Michelangelo?". Fahy investigates a series of panels detailing the life of Saint John.  The first of these, Scenes from the Life of Saint John the Baptist, is held by the Met, and shows an angel informing Zacharias about the birth of his son, John the Baptist.  This is a "typical work by Francesco Granacci", according to the Met, which states that the second panel (possibly a pendant, or paired painting) is by "another, superior artist." 

Enter Fahy, who persuasively argues that this "superior artist" is none other than the Renaissance genius, Michelangelo. Fahy documents similarities between Michelangelo paintings and this second panel. For instance, on the right of St. John, who wears a rose-colored robe on top of his hair shirt, are two pharisees; one of them is pointing up toward michelangelo philosopher

Michelangelo.  Philosopher, ca. 1495-1500.  Pen and Brown Ink, British Museum.

Christ who enters the scene with five disciples.  This pair of pharisees, Fahy observes, resembles the Michelangelo drawing, Philosopher, at the British Museum. 

Further, the panel's St. John is evocative of Michelangelo drawings at the Louvre, Nude Man and Study for the colossal statue of David victorious.  The Met observes that figures in the panel are similar to those in the background of Dona Tondo,michelangelo doni tondo

Michelangelo.  Holy Family (Doni Tondo),ca. 1504-05.  Oil tempera on wood, approximately 47" diameter.  Galleria degli Uffizi.

one of the unquestioned, fully attributed Michelangelo paintings.

Further evidence comes from the Met's conservation department, which examined each underdrawing in the five panels. Four revealed detailed, careful preparatory drawings, while the second panel showed a more fluid and bold style like that of Michelangelo. It should be noted that in Renaissance art, especially in Florence, a commissioned artist would retain other painters to assist him; it was generally assumed that the assistants would follow designs from the lead painter, which was clearly not the case here, Michelangelo painting or not!

The evidence is leaning toward another Michelangelo attribution (although the Met still claims that this Renaissance artwork is from Granacci's circle). For more details of Fahy's persuasive argument, read the ARTnews article,  Why It's a Michelangelo.



Thanks for posting this.. Just my opinion as an art and art history teacher, the figures look more stiff and less fluid than Michaelangelo's drawings and paintings. I guess it could be, but it doesn't look like his style.
Posted @ Wednesday, June 16, 2010 7:15 PM by Andrea Fuentes
the only problem for fehy and his claim that the painting now attributed by the met to michelangelo friend, and otherwise, fairly minor florentine painter, granacci, is that it would be the only michelangelo that doesn't look in any way, shape or form like michelangelo. and while that sounds simplistic, it is the very simple stubborn fact that won't go away!  
by coincidence, the met recently exhibited the painting that has now been re-attributed as michelangelo's earliest surviing painting, done in his teens and mentioned by vasari and condivi--his two contemporary biographers---this painting was cleaned, examined and exhibited as the early michelangelo painting and keith christiansen, fahy's colleague for decades at the met, and the scholar who has now replaced fahy as the head of european paintings, went gaga over this painting, which does by contrast with the granacci, contain an underdrawing hatched in with michelangelo's early drawing style, and has other stylistic coloristic qualities associated with michelangelo,  
in fact, it begs the question why the met board, loaded with the very wealthy from all around the planet, who certainly are on the met for their wealth, not their art expertise, couldn't get any of its billionaires to come up with the necessary pocket change to secure this painting that the met art historians and conservators vetted and then allowed to go to texas! 
the painting that fahy champions would be nearly contemporary with a work as mature as the doni tondo--which the great michelangelo scholar leo steinberg has postulated may have been painting as a practice piece, once michelangelo suspected he was going have his duties shifted from papal sculptor to papal painter by julius ii.  
while there are some credible relations between the figures that fahy points out as "michelangelo" there is no stylistic affinity with the way michelangelo draws figures, the way he defines forms with hard sculptural outlines, and the tension which exists within his figures, in which nothing remains calm, or static, and from which his formulation of classicism so distinguishes itself from other painters, i.e. leonardo, raphael and this late example of the lyrical classicsm that dominated florentine painting in the last part of the quattrocento. 
to say as you do hear, that what we have here is a likely michelangelo, has no basis, as fahy's argument is so unsupported by the visual data one observes in this painting, as to leave us asking, why this michelangelo would be so devoid of anything that is essential to michelangelo's way of drawing and painting as to be unique among in h oeuvre, if indeed it were, a michelangelo?  
Posted @ Tuesday, December 14, 2010 6:57 AM by mm briggs
After much review, I am still skeptical that this piece is a Michelangelo. Giving this more examination there is a resemblance almost the same portrait of the bald man next to Jesus. This looks like the same face on Nicodemus in the Entombment. So now I am still skeptical but leaning towards this could very well be a Michelangelo.
Posted @ Saturday, January 01, 2011 2:43 PM by A. Charles Soto
Seems like the storm around this Michelangelo painting has subsided (or I'm not as great with Google as I thought!) The Met's collection database still attributes "St. John Bearing Witness" to the workshop of Francesco Granacci (1469-1543), but notes that its attribution may change due to ongoing research. 
Wish they'd share more of their research into these art paintings being researched! 
Susan Benford, Editor 
Posted @ Wednesday, January 12, 2011 5:11 PM by Susan Benford
Great post! How interesting! I agree with what Andrea said: the figures in this painting seem stiff and stylized in comparison with other works by Michelangelo. 
Of course the Met isn't going to immediately reject Fahy's claim. The Met would LOVE to own a painting by Michelangelo (not only for monetary reasons, but also because of the prestige attached to Michelangelo's name). Plus, they museum don't want to make Fahy look bad (since he held a prominent position at the Met, and would therefore reflect poorly on the museum). The whole situation seems a little bit sticky and political in my opinion...
Posted @ Friday, February 25, 2011 4:18 PM by M
I would like to believe this piece is by Michelangelo, but as an art history I cannot see this as being the case. The faces and brushstrokes do not match his style, the compositon itself does not stylize the attributes given to Michelangelo. The chiaroscurro along with the placement of the halo's should be an obivious indication that this painting was not done by Michelangelo. Michelangelo loved the nude figure and also the ability to show the human anotomy. The composition in this painting is entirley different not just in content but also in context. Perhaps Fahy should go to Florence and review some of Michelangeols earlier works!
Posted @ Sunday, April 17, 2011 9:01 PM by Marvin VanDam
Michelangelo never showed the least bit of interest in trees and landscape. His landscape backgrounds where they exist are usually bare rock and earth; the only time he HAD to paint a tree, the Tree of Knowledge in the Garden of Eden on the Sistine Chapel ceiling, the rest of the landscape is characteristically bare except for one dead stump. This landscape background, even if executed by an assistant, would have been totally out of character for the artist. Also the figures are too thin and non-muscular to be his.
Posted @ Monday, October 03, 2011 10:40 PM by Charles Zigmund
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